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Camcorders use SD card to store footages. That’s totally because the tinny stuff could store great mount of information. Generally speaking, CF cards are more popular in family camcorders and Panasonic P2 cards are now used widely by most professional video-makers. P2 cards stores footages in MXF format, which is the main video format in professional video and audio area. Maybe it’s a little strange for most camcorder users, but actually, if you can handle the files stored in, nothing will be a problem.

MVI stands for Musical Video Interactive, a DVD-based means of packing audio, video and interactive visual content (for example lyrics) onto one disk. The first commercial disc released with this technology was Snakes & Arrows by Rush on May 15, 2007.The audio content is provided in multiple formats, including a high-definition version (a minimum of 24-bit at 48kHz sampling) and an MP3 version for copying to portable audio players. The video content is compatible with DVD video, and can also optionally include high-definition video. Maybe you have got some MVI videos and wanted to import MVI to FCP X/7/6 for editing on Mac, since the MVI video codec is not well supported by FCP X/7/6, the best way to edit MVI in FCP X/7/6 on Mac is to convert MVI to Apple ProRes 422 codec.

Flash Video FLV files usually contain material encoded with codecs following the Sorenson Spark or VP6 video compression formats. The most recent public releases of Flash Player (collaboration between Adobe Systems and MainConcept) also support H.264 video and HE-AAC audio.All of these codecs are currently restricted by patents.Flash Video is viewable on most operating systems, via the Adobe Flash Player and web browser plugin or one of several third-party programs. Maybe you have got some FLV videos and wanted to import FLV to FCP X/7/6 for editing on Mac, since the FLV video codec is not well supported by FCP X/7/6, the best way to edit FLV in FCP X/7/6 on Mac is to convert FLV to Apple ProRes 422 codec.

H.264 is a next-generation video compression format. H.264 is also known as MPEG-4 AVC. Developed for use in high definition systems such as HDTV, Blu-ray and HD DVD as well as low resolution portable devices such as Sony’s PSP and Apple’s iPod, H.264 offers better quality at lower file sizes than both MPEG-2 and MPEG-4 ASP (DivX or XviD). Apple has official adopted H.264 as the format for QuickTime. It is also one of the formats chosen to be supported by both high definition DVD standards, and is destined to be the future standard format for Blu-ray. Even AVCHD, the consumer format offered by the same people behind Blu-ray and for use in camcorders and Blu-ray recorders, uses H.264 as the main video format. Maybe you have got some H.264 videos and wanted to import H.264 to FCP X/7/6 for editing on Mac, since the H.264 video codec is not well supported by FCP X/7/6, the best way to edit H.264 in FCP X/7/6 on Mac is to convert H.264 to Apple ProRes 422 codec.

.VRO files are created by DVD video recorders or camcorders with Mini-DVD disc using the DVD-VR format. The disc has a ‘VR_MOVIE.VRO’ file, containing the raw audio and video data for all video recordings. The recording metadata along with navigation data are stored in the ‘VR_MANGR.IFO’ file. A backup copy of this file (VR_MANGR.BUP) is presented as well. VRO Codecs: MPEG2, same as VOB but uncompressed raw video and audio. So in some cases you can treat the VRO files just like .VOB files, but in many cases you can not use, play or edit VRO file easily. Maybe you have got some VRO videos and wanted to import VRO to FCP X/7/6 for editing on Mac, since the VRO video codec is not well supported by FCP X/7/6, the best way to edit VRO in FCP X/7/6 on Mac is to convert VRO to Apple ProRes 422 codec.

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The NEX-EA50UH Camcorder with 18-200mm Servo Zoom Lens initiates Sony’s new EA Series of camcorders designed for cinematic event videography. The camera comes with an 18-200mm servo zoom lens, the first E-mount lens with servo zoom. NEX-EA50 features a new Exmor APS-C CMOS sensor and delivers Full HD 1080p at 24, 25, 30, 50 and 60 frames per second.

Sony continues to raise the bar with the introduction of its rain- and dust-proof HXR-NX70U NXCAM Compact Camcorder.The compact HXR-NX70 shoots in full high-definition quality (1920 x 1080) with a choice of 60p, 60i and 24p frame rates. It can also simultaneously shoot 12.3-megapixel (4672 x 2628) still images. It also supports playback via HDMI and compatible HDTV, for complete flexibility in reviewing your footage.

The Sony HXR-MC2000U Shoulder Mount AVCHD Camcorder is the go-to solution when you’re ready to leave tape behind and step up to a file-based video workflow. Whether shooting 480i standard-definition or 1080i HD video, this sturdy performer will capture hours of high-quality images onto either removable media or a spacious 64GB internal hard drive. Composite, component, and HDMI ports give you a choice of video output, while the included shotgun microphone is accompanied by a stereo mini jack to attach a second external mic.

Innovative and portable, the cutting-edge Sony HXR-NX30 Palm Size NXCAM HD Camcorder with Projector is a handheld, excellently built HD camcorder that’s capable of capturing AVCHD video in Full HD 1080p at 60 fps, as well as high-quality digital still images. It’s equipped with 96GB of internal flash memory, an LED video light and NightShot capabilities. It also supports all AVCHD recording formats at 28 Mbps.

With Sony HDV, the benefits of High Definition program production are at last accessible to everyone. Offering an ideal migration path from DVCAM to entry-level HD production, HDV records pictures at 1080 line resolution onto a standard DV format cassette. As well as reducing camcorder size and weight to around that of ‘prosumer’ formats, use of this smaller cassette size cuts media costs.

The first in Sony’s line of NXCAM solid-state camcorders, the HXR-NX5U is also the company’s first professional-level AVCHD camcorder. And while it may look similar to its HDV predecessor, the HVR-Z5U, in fact this is a very different animal. Its ability to capture HD and SD video in AVCHD and MPEG-2 formats–and save it to solid state media–is only one of its distinctive traits. Full-raster 1920 x 1080 video is another, including the option of recording 720/60p video as well as 60i, 30p and 24p.

“What is the C500 video format? Can I edit EOS C500 video in FCP? I want to make a short video for my doctor. Net month is my doctor birthday. ” Below is Canon EOS C500 FCP solution- Transfer C500 MXF to FCP Apple ProRes 422.
The Cinema EOS C500 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition.

The XF300 Professional Camcorder represents Canon’s entry into professional solid state video acquisition. Following on the heels of its widely respected XH line of tape-based camcorders, the XF300 takes advantage of the latest HD technology–along with Canon’s newly developed MPEG-2 4:2:2 codec–to record Full HD video to affordable Compact Flash cards.

A quick glance at the XF305 demonstrates a bit of a resemblance to another recent breakthrough camera, the Sony PMW-EX-1. While there are some striking differences the form-factor similarities are pretty obvious, most noticeably the fold-out video monitor. When I had the opportunty to test out the EX-1 a few years back, I found the Sony’s LCD to be among the brightest and sharpest I had ever seen; the Canon goes it one better. This 4″ LCD screen would put some high-dollar home theaters to shame, with sharpness and brightness to spare.
Many users have problems when importing Canon MXF to FCP 6/7/X.

The Canon EOS C300 Cinema EOS Camcorder Body (EF Lens Mount) takes what professionals love about DSLR filmmaking – access to a vast selection of widely available lenses, a large sensor that facilitates a shallow depth of field, and portable operation with a modular, compact camera – and addresses its shortcomings. That means that unlike DSLR cameras, this Cinema EOS camcorder is designed inside and out for professional cinematographers capturing motion pictures that will stand up to rigorous post-production processes.

Canon’s XF100 HD Professional Camcorder is an amazingly compact, fully featured pro video camera that imports nearly all the features and functionality of the 3-chip XF300 into a smaller, single sensor form factor. Taking advantage of the latest HD technology–along with Canon’s robust MPEG-2 4:2:2 codec–the XF100 records full HD video to affordable Compact Flash cards, making it as versatile as it is powerful. How to edit Canon XF100 video in FCP?

Canon’s XF105 HD Professional Camcorder is an amazingly compact, fully featured pro video camera that imports nearly all the features and functionality of the 3-chip XF305 into a smaller, single sensor form factor.

The Sony NEX-FS700 Super 35 Camcorder (Body Only) is a fully professional large-sensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model’s sensor, the FS700 features a native 4K resolution sensor.